片名:女人與她的精子 Androgyny 片⻑:1分57秒 語言:中英文字幕 LapaLab 作品 國立台北藝術大學 動畫系 學生 徐筠婷 吳嘉恩 王化奇 簡介: 希臘文中，andro代表男性，gyn代表女性。「雌雄同體」Androgyny代表的是多重性別自由流動於肉體內。 當女性能自我繁殖，是否才是擺脫男性壓迫的方法? In greek, “andro”means male, “gyn”means female. “Androgyny” represent two or more gender types to co-exit in one subject.Is it when a female being has the ability to self-reproduce, that addresses to relief from male-dominance?

2016｜水轉印 Marbling 男子從乾燥的室外獨自走進潮濕下著大雨的室內。他對室內的這場大雨感到束手無策，卻無可奈何；他無法忍受的不是這場大雨，而是面對大雨束手無策的自己。然而既然室外是乾的，為何又要自願走進這場大雨呢？「人不能一直待在室外，總是要回到屋內的」。男子對無法改變的自己感到失望，同時卻也深深沈浸在其中。改編自卡夫卡短篇「室內下大雨」。 A man entered a room of pouring rain from a deserted, dry land. He felt absolutely hopeless with the rain, clearly there is not much he could do about it. What bothers him is not the rain, but how vulnerable he is against it. Yet why step into the rain, when its dry outside? “ People couldn’t stay out there forever, we’re bound to have a place to rest.” He was disappointed in himself, as he sunk in desperation. This film is based on a short story by Franz Kafka. 懶趴實驗室 2016作品 LAPALAB 2016 film

2017｜版畫 PrintMaking 「我們與過去如同與母親，都是從斷裂開始」。 「過去」即建構於記憶之上。離開了當下的瞬間後，才成了過去。 而關於離與返，就如同我們與母親。 三個角色分別是自我的三種原型；也是流著的三條血液。 血緣裡的根在成長過程中不斷的交互拉扯，將自我撕裂成許多碎片。 即使從未記得離開子宮時是如何哭泣、眷戀、與憎恨的，只有在轉身後，彼此才能面對自己「回歸的慾望」——前往母體、子宮的那一條長長的、回家的路。 “Cultural identities come from somewhere, have histories. But, like everything which is historical, they undergo constant trans-formation. Far from being eternally fixed in some essentialised past, they are subject to the continuous ‘play’ of history, culture and power.” - Stuart Hall, 1989 The idea of history is constructed upon memories. When moments fade away and become memories, we witness the birth of the past. Nevertheless, we continue on to the path of departure after we break away from the uterus. We make webs of experience as we live. Escapades become a web a fabricated history and personal truth as we grow, ending up with endless fragments of ego that we call identity. Even though we barely remember the way we howl during birth; the feeling of being loved; the things we hate, they all come together once we look back at our origins. It is until then we acknowledge our eternal desire to return. Returning to the everlasting course back to the matrix, the place we call home.

2015｜藍曬Cyanotype 鐵氰酸鹽印相法。將檸檬酸鐵銨與鐵氰化鉀溶液混合作用之後的鐵離子，將其曝曬於紫外線中進行，曝曬到的部份產生了有階調性的普魯士藍，未曝曬的部份則無變化，進而反轉了底片上的影像於相紙中。

徐筠婷 吳嘉恩 2014 國立台北藝術大學 動畫系